#Draw kanye west graduation album full#

I even enjoyed his 10 minute vamping over the beat telling a story about his big break. In All the good songs this stands out, all the bad songs doesnвЂ™t. We all know heвЂ™s a great beat maker but I like two things about his rap, itвЂ™s honest, that bi-polar, no filter reallness heвЂ™s famous for truly in touch with his feelings and I like his playfulness and creativity in rhymes, he takes fun chances, does interesting little plays on words or metaphor.

ItвЂ™s all dead weight, it also all seems less honest, more vapid, like вЂњlook at meвЂќ rap. Nowadays IвЂ™m like вЂњget to the music.вЂќ By my count there are 6 dope songs on this album, all 5s. (and like the beatles, maybe a biiit overrated.) and maybe 8-10 more songs than necessary lolДЄm I over skits? Have I lost patience for skits? I used to love that shit. It's like the beatles, if you make an album that changes the trajectory of music, listening to it with the context of today makes it sound just very good average, when it defined the direction everyone else copied / attempted. This is an album that, like in the pitchfork review of Ye, shows a Kanye that kanye isn't anymore, so far from who he became at his height and his descent into today. an absurd critique of school and degrees but funny SCHOOL SPIRIT! wow, I didn't know 'Good life' takes a line from this song.

For context, I have been listening to Kanye2049 a lot this past week, and it's wonderful, so it is nice to listen to some originals I've never heard.

#Draw kanye west graduation album full#

Czarny strajk trwa w najlepsze i to z jakim pickiem, bo debiutancki album pana Westa, the college dropout rozpoczal kariere Kanyego jako pelnoflagowego rapera, a nie tylko producenta, przed tym krazkiem byl znany glownie z produkcji na trakach pana Jaya Z, a przepis na dobry start, swiezy luzny koncept, nadanie konceptowi twarzy, czytaj dropoutowy misiek, dobre featury, ktore nie kradna spotlajta, ale jednak wplywaja na atrakcyjnosc materialu dla sluchacza, bo ile osob musialo poznac pana Westa sluchajac two worlds z mos defem, czy get em high z commonem i talibem kwelim, pan jay czy ludacris to kolejne featury plyty, ale co definiuje brzmienie tej plyty, to zdecydowanie to co sie dzieje na bitach, bo to pan West stworzyl pomysl na wlasne brzmienie, dla jednych zbyt r&bitowe jak na rap, zbyt eksperymentalne, zbyt gospelowe, a jednak tak sluchalne o czym swiadcza charty, co do konceptu ktory tutaj rozpoczyna trylogie collegowa, to tytulowy motyw dropoutowania pojawia sie glownie w skitach, ale tez na trakach jak school spirit czy we dont care, materialu jest godzina siedemnascie minut, a najwazniejszymi topikami sa motywy bycia murzynem w spoleczenstwie hameryki, sukcesu poprzez edukacje, pojawiaja sie oczywscie takze watki osobiste, jak na traku throught wire, ktory jest dosc komiczna relacja z rehaba po samochowowym incydencie, jesli chodzi o plejkowe wrzuty z tej plyty, to do trakow ktore juz mam dodaje spaceships oraz all falls down, chociaz bylem zaskoczony, ze tylko trzy kawalki mialem na plejce do tej pory, wspominane we dont care, school spirit, ktore najlepiej oddaja spirita plyty, jak dla mnie jeden z albumow definiujacych dzwiek westowski, ale mozna by tak powiedziec o kazdym materiale ktory ten pan wypuszcza, bo tak influencyjnego artysty w ostatnich dwudziestoleci ciezko szukacДЄ classic that I have never listened the full way through.